Member spotlight
The Source Arts Centre

This month, we’re excited to spotlight the great work done by The Source Arts Centre in Thurles, Co. Tipperary.
An access>CINEMA member since the centre opened back in 2006, Source’s film programme began with titles such as Red Road and Volver. Today, it continues to showcase the best of international and Irish cinema. Source programmers have shown a particular committment to including repertory screenings of classic cinema in their programme, as well as organising Q&As with filmmakers.
Source Director Brendan Maher has kindly put together some thoughts on their film programme over the years, which you can read below:
The Source Arts Centre opened in 2006 and cinema has been a mainstay of the programme from the outset. The venue screens about 32 films annually in Spring and Autumn seasons through access>CINEMA. Additional films made by local filmmakers are screened when available, alongside some educational screenings. Our regular screening night is on Wednesday.
Initially we screened on 35 mm, then changed soon after to DVD and are now on downloads via the Artinii system. The move from analogue to digital has been achieved – albeit with some breakdowns (both nervous and technical!) along the way.

We choose what we feel is the best in contemporary world cinema, basing the considerations on films that have won at festivals such as Cannes, Toronto or Berlin etc…, audience requests, and using the annual Sight & Sound poll as another guide. Additionally, we want to have a strong showing of Irish films each year.
Audience numbers vary and are generally driven by a core group of patrons and then additional attendees depending on the film. Word of mouth is important and certain films catch the zeitgeist such as An Cailín Ciúin and most recently Conclave, where both the quality of the film and the events in the real world conspired to bring in a full house.
In respect of screenings, we look to include Q&A sessions each season with directors if we can. Recent visitors have included Pat Collins (That They May Face The Rising Sun) and Ciaran Cassidy (Housewife Of The Year). These chats are always illuminating and offer the audience a broader view of both subject matter and the technical aspects of making a film.
They also tend to demystify the process and create a direct personal connection between maker and viewer.

We also screen some classics each year and tend to link these into anniversaries, e.g. this April, we will screen Jaws as part of its 50th anniversary. We’ve screened Visconti’s The Leopard, Wenders’ Wings Of Desire as part of this strand of programming. We do take chances with these screenings too – a notable example being Alejandro Jodorowsky’s The Holy Mountain a few years back, which seemed to alienate some viewers and enthrall others in equal measure.
The success of the film club is ultimately based on the films screened. A mix of genres, styles, and languages provides a rich menu for the viewer. Some seasons are naturally better than others, depending on choice and personal taste.
Above all the screenings offer us a glimpse into other people’s cultures and histories, their idiosyncratic social rules and personal expectations. Despite globalization, there is much that makes us different across continents, but we all share the same need – to be recognised – and cinema offers a big screen window into our various lives and worlds.
Member spotlight archive
August 2024 – Garter Lane Arts Centre, Waterford
September 2024 – My Little Film Club, Dublin 4
October 2024 – Esker Arts Centre / Eagla Fest, Tullamore
November 2024 – Sligo Film Society, Sligo
December 2024 – Kilcullen Bridge Cinema
February 2025 – The Picture House / Wexford Film Society